The Enchanted Palace
Opens at
In association with WILDWORKS, featuring Vivienne Westwood, William Tempest, Stephen Jones, Boudicca, Aminaka Wilmont and Echo Morgan
From March 2010,
Independent charity Historic Royal Palaces is undertaking a £12 million major project to transform
In the sumptuous State Apartments, leading fashion designers Vivienne Westwood, William Tempest, Stephen Jones, Boudicca, Aminaka Wilmont and illustrator/set designer Echo Morgan will each create spectacular installations in collaboration with WILDWORKS, taking inspiration from Kensington Palace and the princesses who once lived there - Mary, Anne, Caroline, Charlotte, Victoria, Margaret and Diana. These extraordinary contemporary designs will be displayed alongside historic items from the Royal Collection and
The complex and mysterious world of the royal court will be opened up through spectacular installations, interactive theatre, intimate storytelling, soundscapes, haunting film projections, and a series of intriguing clues hidden throughout the historic rooms, revealing tales of love and hate, surprise and sadness, secrets and jealousy.
Each room will have a powerful story to tell about
- Guided by the whispered voices of servants long gone, visitors will make their way into the palace via the private backstairs, and emerge into the splendour of Queen Mary II’s Bedchamber, a luxurious but dark room with a melancholy atmosphere. The room will reflect on royal marriage, birth and the importance of producing a dynastic heir. Queen Mary (reigned 1689-1694) had no children, reportedly a great sadness to her, whilst her sister Anne (later Queen Anne 1702-1707) had fourteen pregnancies but none of her babies survived. Aminaka Wilmont will create ‘a dress of tears’ for this room, based on the ancient tradition of collecting tears during times of mourning.
- The Privy Chamber, an ‘airlock’ between the private and public realms of the royal palace, was a place of masculine power, politics and intrigue, extreme etiquette, flattery and disguises. Milliner Stephen Jones will produce a number of hats for a stunning installation inspired by the historic 18th century busts of great philosophers and scientists, in particular Sir Isaac Newton and his law of motion, evoking themes of the universe, revolution and flights of imagination.
- The King’s Presence Chamber, a small but opulent room in which the monarch came face-to-face with his subjects, received petitions and granted favours. This was a place where cultures collided, where foreign visitors, lower classes and curious characters of the court, would encounter their king. In this room of absolute royal power, visitors will be invited to sit on WILDWORKS’ ‘wishing throne’ to record their own desires… what changes would you make if you were king for a day?
- The King’s Grand Staircase is of true fairytale proportions, with its winding chequered stone stairs, and walls and ceilings lavishly painted with a vivid, life-sized depiction of George I’s court. Intriguing and unexpected characters including the King’s Polish page, Turkish servants, Yeomen of the Guard, a giant Scotsman, a hairdresser, a ‘wild boy’, various mistresses, and a portrait of the artist himself, William Kent (1685-1748), all peer down at those who dare to ascend this grandest of staircases. In this dramatic space, Vivienne Westwood will display ‘a dress for a rebellious princess’ inspired by the spirited Princess Charlotte (1796-1817), daughter of King George IV and Caroline of Brunswick-Wolfenbüttel.
- The Cupola Room was the principal state room of the palace, and the most lavishly decorated. Its centrepiece is a spectacular clock upon a dais; it once contained a musical box that played specially commissioned melodies by Handel, Corelli and Geminiani. Four great ancient monarchies -
- The King’s Gallery, originally built for William III in 1695, features an elaborate wind-dial connected to a wind-vane on the roof so that the King could see which way the wind was blowing, where his navy was likely to be heading, and when the posts might arrive. Inspired by this device, WILDWORKS will create an installation featuring hundreds of miniature soldiers and boats campaigning across the floor, echoing the war games played by William and his little nephew (Henry Stuart) in this room.
- The Duchess of Kent’s Dressing Room and Anteroom – believed to have been once used as a royal nursery, these rooms will display a number of items of children’s clothing from the Royal Ceremonial Dress Collection, including a beautiful pair of fur trimmed red boots, Princess Beatrice’s kid gloves and tiny baby shoes belonging to Queen Victoria’s children.
- Queen Victoria’s bedroom - this is the room in which Victoria was sleeping when her uncle King William IV died at Windsor Castle in the middle of the night, and where she awoke to the news that she was to become queen. The installation in this room will represent
- The King’s Drawing Room – a grand reception room in which Echo Morgan will curate a ‘cabinet of curiosities’ inspired by renowned royal collectors Queen Mary III and Caroline of Ansbach (1683-1737), queen consort of George II. Both were famously keen on acquiring precious, special or intriguing artefacts including paintings, porcelain, exotica, textiles and curiosities. It will feature historic exhibits such as items from Princess Margaret’s shell and coral collection, alongside weird and wonderful contemporary creations. Echo will also create a ‘dress of the world’, in the style of an 18th century court dress, sculpted in paper and decorated with prints of antique maps.
- The Council Chamber - in this historic room where the resident monarchs held their Privy Councils, dresses belonging to Diana, Princess of Wales and Princess Margaret will be displayed in crystal-like cases surrounded by a birch forest. A theme for this room will be the joy of dancing - Diana and Margaret were both patrons of British ballet companies.
- The Queen’s Dining Room – a cosy, intimate room lined with oak panelling, in which William III and Mary II liked to dine in private, often upon fish and beer. Redolent of royal domesticity, a portrait of their housekeeper hangs on the wall.
- The Queen’s Closet – in this claustrophobic oak-panelled room a terrible argument took place between Queen Anne (reigned 1702-1714) and her greatest friend and confidante, Sarah, Duchess of Marlborough. Sarah had become too bold and confident in her position in Anne’s heart and overstepped her authority by trespassing into the private sphere of royal power. They never spoke again. Listen closely and you may still hear their angry voices echoing through the walls…
- The Queen’s Gallery – a spellbinding finale awaits those who have bravely ventured through The Enchanted Palace. WILDWORKS will conjure up the effect of a whirling ballroom through music and film projections. A series of shining mirrors hang on the walls - if you look carefully, you may catch a fleeting glimpse of Kensington’s princesses….
Historic Royal Palaces’ Curator Alexandra Kim commented, “This is an innovative ‘animated exhibition’, set against the backdrop of the magnificent State Apartments, and offers a truly unique opportunity to discover the hidden stories of
WILDWORKS Producer Bill Mitchell said, “We have found the stories of the palace incredibly inspiring, they’re like true fairy tales - the rebellious princess who was so universally loved that, when she died in childbirth, London ran out of black mourning fabric; the little sickly prince who played peashooters with his uncle, the king; the court that kept a wild feral boy as a pet; the young princess who wept for three days when told she had to marry a man twice her age; the two friends who had a quarrel that caused deaths, changed the fortunes of great families and the map of Europe. It’s such rich material for art and theatre - to be exploring these stories in the rooms where they took place is thrilling.”
The
For more information, factsheets, images or interviews, please contact Ruth Howlett at the Historic Royal Palaces press office: 020 3166 6338/6166 or ruth.howlett@hrp.org.uk
A press preview of The
NOTES TO EDITORS
The Enchanted Palace opens
‘Welcome to Kensington – a palace for everyone’ is a £12 million major project to transform Kensington Palace by improving accessibility, introducing new education and community facilities, reconnecting the palace with the surrounding park through new public gardens, and enabling us to present exciting exhibitions inspired by the palace’s rich past and unique collections. Major works will begin in June 2010 and are scheduled for completion in June 2012 in time for the Queen’s Diamond Jubilee and the London Olympics.
A short history of Kensington Palace
The palace is also home to the Royal Ceremonial Dress Collection – 12,000 items worn by royalty and courtiers from the seventeenth century to the present day, including clothing worn by George III, Queen Victoria, Princess Margaret, The Queen, and Diana, Princess of Wales. In September 2009, it was announced that the collection has been Designated as a pre-eminent collection of national and international importance by the Museums, Libraries and Archives Council (MLA). The project ‘Welcome to Kensington – a palace for everyone’ will enable Historic Royal Palaces to make this important collection far more widely accessible than currently possible to visitors by 2012.
We receive no funding from the Government or the Crown, so we depend on the support of our visitors, members, donors, volunteers and sponsors. These palaces are owned by The Queen on behalf of the nation, and we manage them for the Secretary of State for Culture, Media and Sport.
We believe in four principles. Guardianship: giving these palaces a future as long and valuable as their past. Discovery: encouraging people to make links with their own lives and today’s world. Showmanship: doing everything with panache.
WILDWORKS is an international theatre company, based in
WILDWORKS produces unique landscape theatre in challenging places and with extraordinary communities. Our productions have been sited in old quarries, derelict mines, working fishing quays, abandoned department stores, dockyards, a Napoleonic citadel, the Green Line in
Drawing its power from community, WILDWORKS integrates music, dance and theatre. We use everything: food, stunning imagery, action, film, music and text to tell our story. Narrative is at the centre of our work. We bring the seeds of a story to a site and weave in the strands that tie people and place together.
As a company we are drawn to stories that are both epic and intimate, human stories that can touch and resonate with audiences across barriers of language, age and nationality. The strength of the work lies in the fusion of a strong sense of place, the power of people and the most distinct theatrical imagination Audiences all over
